Showing posts with label Neil Gaiman. Show all posts
Showing posts with label Neil Gaiman. Show all posts

Wednesday, April 29, 2009

The Graveyard Book

The Graveyard Book The Graveyard Book by Neil Gaiman


My review


rating: 5 of 5 stars
As an educator, avid reader, and fan of children's literature, I am so happy that Neil Gaiman was awarded the Newbery Medal for this fantastic, haunting, and sophisticated book. Having only read Gaiman's 'Coraline' and 'Neverwhere', I was in awe of his ability to grasp so acutely the power of a child's imagination, their fears and hopes and comforts and language. I felt at times like I was ready a Grimm Fairy Tale (though in his afterword Gaiman writes that he was inspired by Kipling's Jungle Book). The story follows many motifs of a fairy tale. Namely escaping powerful and evil enemies, good versus evil and the fine line in between, freedom versus entrapment, etc. Midway through the novel, I began to feel like I was reading a series of short stories, tied together by the protagonist (Nobody 'Bod' Owens) but by the last chapter I had become so attached to the inhabitants in the graveyard, and especially to Bod himself, that the book came full circle. I own my own copy and I admit that, yes, the last five pages are tear stained -- tears of joy, mostly, to have been so moved by a characters' growth and understanding.


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Sunday, January 4, 2009

Coraline

Coraline (Graphic Novel) Coraline by Neil Gaiman


My review


rating: 4 of 5 stars
More of a short story than a full length young adult novel, I was completely swept away by 'Coraline' (in the hour it took me to read it). Coraline is a strong, independent young lady -- a positive role model for any child. The story itself is almost like Danielewski's 'House of Leaves' toned down for a young audience. It's not as stunning as a Grimm Fairy Tale, or as complex as Harry Potter, but I think that children (and adults alike) will take something away as a result of reading Coraline. Some of Gaiman's literary images are stunningly creepy, particularly the 'other' theater that plays on and on and on and the neighbors are eternally young -- an image that would be well suited to a Lynch film. I'm eager to see what Henry Selick does with the film.


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